Search results for 'HARDER & STEENBECK WHITE BOARDS PACK OF 10 SHEETS 360 X 255MM'

These Artool Texture FX templates, designed by Gerald Mendez and laser cut by Artool, are produced using a special polymer-coated material. With proper care and without folding, Texture FX Templates will withstand years of repeated use. Please note: Although these stencils are polymer-coated, they are not made from Mylar material and therefore will not last as long as stencils that are made from Mylar. Spray light layers of atomised paint through the stencil for best longevity, and avoid drenching it. If you are spraying solvent-based paints through them then you could use a top coat or lacquer on the surface to protect the stencil. Because of an advanced proprietary technology from Artool, natural and organic illustration effects can now be achieved like never before with the Texture FX Freehand Airbrush Templates by Gerald Mendez. You can easily use these organic textures to create hyper-living qualities with your artwork. Create unlimited textural possibilities: rocks, stone textures, outer space scenes, splashes, an endless variety of backgrounds, textural graphics, detailed reptilian skin effects and so much more! Application Techniques and Tips: You can achieve incredibly soft textures by slightly lifting the templates from the working surface. Move the template while airbrushing for added dimensional possibilities. Overlap colours and shapes for greater textural depth. Achieve different effects with the wide variety of size and shape holes. Templates come in an 5" x 7" format (approximately). Simply cut tabs to release each shape. Gerald Mendez has been airbrushing since 1986. After his graphic design education in Mexico City, he undertook the challenge to master as many techniques as possible to improve the quality of his artwork – including airbrush and digital illustration, along with airbrush automotive techniques. His drive to create what he terms as “unreal concepts” has motivated him to develop his own personal and unique style. Gerald’s airbrush studio is located in Chino, California and he is currently working as a digital illustrator for Disney Studios while staying busy with custom automotive painting projects. Learn More

These Artool Texture FX templates, designed by Gerald Mendez and laser cut by Artool, are produced using a special polymer-coated material. With proper care and without folding, Texture FX Templates will withstand years of repeated use. Please note: Although these stencils are polymer-coated, they are not made from Mylar material and therefore will not last as long as stencils that are made from Mylar. Spray light layers of atomised paint through the stencil for best longevity, and avoid drenching it. If you are spraying solvent-based paints through them then you could use a top coat or lacquer on the surface to protect the stencil. Because of an advanced proprietary technology from Artool, natural and organic illustration effects can now be achieved like never before with the Texture FX Freehand Airbrush Templates by Gerald Mendez. You can easily use these organic textures to create hyper-living qualities with your artwork. Create unlimited textural possibilities: rocks, stone textures, outer space scenes, splashes, an endless variety of backgrounds, textural graphics, detailed reptilian skin effects and so much more! Application Techniques and Tips: You can achieve incredibly soft textures by slightly lifting the templates from the working surface. Move the template while airbrushing for added dimensional possibilities. Overlap colours and shapes for greater textural depth. Achieve different effects with the wide variety of size and shape holes. Templates come in an 5" x 7" format (approximately). Simply cut tabs to release each shape. Gerald Mendez has been airbrushing since 1986. After his graphic design education in Mexico City, he undertook the challenge to master as many techniques as possible to improve the quality of his artwork – including airbrush and digital illustration, along with airbrush automotive techniques. His drive to create what he terms as “unreal concepts” has motivated him to develop his own personal and unique style. Gerald’s airbrush studio is located in Chino, California and he is currently working as a digital illustrator for Disney Studios while staying busy with custom automotive painting projects. Learn More

Dual-sided eraser is perfect for correcting work or adding fine details in hair or fur. Learn More

Dual-sided eraser pencil, soft pink eraser one side, white coarse rubber on the other side Learn More

This knife is for precision cutting and trimming of light-weight materials. Comes with one No.11 blade. Learn More

This knife is for precision cutting and trimming of light-weight materials. Comes with one No.11 blade. Learn More

Perfect for creating hi-lights, erasing hair, fur or correcting work. A must-have tool for all portrait or wildlife artists. This glass fibre brush has a number of very useful applications. An ideal way of accurately and rapidly cleaning all metal objects. Abrades rubber before patching polishes and burnishes metals like brass, silver, copper, and chrome Can be used to prepare delicate surfaces Erase pencil marks off wood Remove non-absorbent ink off drawings Learn More

Perfect for creating hi-lights, erasing hair, fur or correcting work. A must-have tool for all portrait or wildlife artists. This glass fibre brush has a number of very useful applications. An ideal way of accurately and rapidly cleaning all metal objects. Abrades rubber before patching polishes and burnishes metals like brass, silver, copper, and chrome Can be used to prepare delicate surfaces Erase pencil marks off wood Remove non-absorbent ink off drawings Learn More

Highly recommended by Airbrush Art School. This paint range has got to be the best paint we have ever used for our illustration art. Efx Series colours provide a wide-ranging advantage to artists seeking a re-soluble solution for special effects, erase-back and re-wetting properties such as that used in photo-realistic rendering. All pigment in this series exhibit the highest potential for Light Fast Values per colour without introducing heavy metals or known toxins that could be harmful to you or our environment and conforms to ASTM D 4236 non-toxic standards. This line of premium colour is defined by the user through mixtures or as a standalone colorant with up to1million colour potentials possible using this line of colour. Superior atomization and user control for the discerning artist. EFX Range 27 colours and reduce-Air EFX Series exhibit a clean vibrant transparent to translucent glaze when reduced with Reduce-Air. Or can be used as a standalone high solids colorant where consistent, vibrant Hue values must be achieved. These are HS (high solids) additions using nano-technology performance design where superior results are based specifically on the pigment index type and code instead of grouping all pigments into one category. Pigments are defined by their very own industrial standards and utilize Learn More